Training for Dancers
THE INSTRUMENT: WORKING WITH RHYTHM AND SOUND
Maya Matilda Carroll is an independent choreographer, dancer and teacher, based in Berlin since 2004. Between 1997 and 2000, Maya danced in Muza dance company, Tel-Aviv, Israel. She collaborated with choreographer Lara Barsacq over five years (Tel-Aviv – Paris). Between 2000-2003 Maya danced in Batsheva Ensemble company, directed by Ohad Naharin. She also danced works choreographed by Anat Danieli, Sharon Eyal and Arkadi Zaides to name a few. In 2005 Maya joined Research Project with Sasha Waltz & Guests in Berlin. Since 2013 she collaborates with choreographer and director Julyen Hamilton. She joined his company Allen`s Line in their last two pieces Goat Ocean and Mud Like Gold. In the past thirteen years Maya has created over 30 works from solo to extended group pieces. She has collaborated with artists and performers from diverse backgrounds; classical / contemporary dancers, visual artists, poets, musicians, actors, opera singers and amateurs, within different continents and cultural impacts. Maya has been making dance independently as well as being commissioned to create pieces for state theaters, independent companies and dance academies. She leads classes and workshops in Europe and abroad, extensively developing her teaching methods alongside her artistic work. In 2011, Maya formed The Instrument with her partner, composer / musician Roy Carroll. Her work is anchored in the meeting point between the palpable and imagined; drawn from and towards the body’s memory, social roots and myth, pluralities and singularities in humans and environment.
The Instrument teaching is a physical laboratory, a broad practice / experience through the articulation of movement in time, space and the imagination. Touch, form, energy, rhythm and resonance are synchronized with thoughts, visions, perspective; all through which movers develop awareness, availability for new information and broadening of physical capacities. The classes play with composition in real time, encouraging flow and bodily wisdom as a pathway to discovery, dance making and performance.